My work exists at the intersection of art-making, storytelling, and sustainable building. I create sculptural forms and installations shaped by land, labor, and lived experience. Through material and structure, I explore how built forms can hold memory, care, and resilience. I work mostly with clay and natural or recycled materials, using hands-on processes that come from both art-making and building. I mix and use natural clay pigments for my paints and use traditional building materials like adobe. For me, the process matters just as much as the final piece. How something is made is part of what it carries. Within this relationship between material, labor, and place, I create work that slows the viewer down and draws attention to often unseen systems- ecology, ritual, and community. I use making as a way to show how human hands shape, repair, and exist alongside the environments we depend on.